'Such sensitively conceived and wonderfully executed Debussy playing stands, at the very least, on a level with a classic recording such as Gieseking’s.' Read review
' An extraordinary work by any standards, ethereal and other-worldly, with themes that seem constantly to be drawn skywards.' Read review ' The transparent acoustic of the Bridgewater Hall and the balancing skill of producer Andrew Keener add to the allure of this miraculous score, with the violent climax superbly graduated and the closing pages returning spontaneously to the opening mood.' Read review If Gramophone believed in a starring system they would deserve a heavenful of stars.' Read review
'These records should be in every musician’s library, be they singer or conductor, violinist or pianist, etc. To find the perfect subscription for you, simply visit: .uk/subscribe Subscribing to Gramophone is easy, you can choose how you want to enjoy each new issue (our beautifully produced printed magazine or the digital edition, or both) and also whether you would like access to our complete digital archive (stretching back to our very first issue in April 1923) and unparalleled Reviews Database, covering 50,000 albums and written by leading experts in their field. 'The jewel in this set, for many, will be the Nocturnes, principally for the purity of the strings in ''Nuages'' (sparing vibrato and, mercifully, not a slide in earshot) the dazzling richness and majesty of the central procession in ''Fetes'' and the cool beauty and composure of ''Sirenes''.' Read review Royal Concertgebouw Orchestra / Bernard Haitink 'It has that indefinable quality that one can more readily recognise than describe, a magic that makes one forget the performer and transports one directly to the composer's world.' Berlin Philharmonic / Herbert von Karajan
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